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Does Nigerian music need saving? A case for Total Music’s revivalism

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1 year ago

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By Chinedu Chidi

When famed German composer and pianist, Beethoven described music as a “higher revelation than all wisdom and philosophy” and as “the electrical soil in which the spirit lives, thinks and invents”, he may well have laid out a profound exposition of the depth and reaches of the art, one that is unrestricted by time or distance, by creed or colour, by status or zone. He envisioned a limitless art form. Today, we speak not only of its internal freedoms, but of its transcendent liberating force coursing through entertainment, education, politics, the economy, technology, and social change. Music has become a life form meandering like the bellows of an accordion into the many circles that define life as we know it.

In Nigeria, the music industry has grown in leaps and bounds. With over $2 billion in revenue annually, over 30 million monthly listeners worldwide, over 500 music producers, over 1000 record labels, over 50 radio stations amplifying its rhythms and sounds, and multiple digital music distribution platforms, Nigerian music has become the stuff of dreams, if only commercially.

Sadly, the fine art of the classical, orchestral and live performance genre, with its accompanying socially valuable messaging, is dying. The rapid rise of studio-recorded music, with its massive commercial success, has sadly provided an alternative to total music, one that substantively accommodates a wide array of ‘real’ instruments, trained voice, and electrifying theatre. It is perhaps the appeal of total music that inspired Victor Hugo to bellow, “Music expresses that which cannot be put into words and that which cannot remain silent”.

This challenge is one that is not only unique to Nigeria or Africa, but a universal one. In Sasha Frere-Jones’ piece, “Do Recordings Kill Music?”, she cited a profound quote from Richard Kostelanetz’s interview with John Cage, thus: “I’ve always said that a record is not faithful to the nature of music.” David Grubbs, a professor at the Conservatory of Music at Brooklyn College, she reports, “takes up a specific belief of Cage’s: that recordings can injure the ability of an audience member to experience a performance in real time. In theoretical terms, the recording reifies a specific moment, potentially interfering with a composition’s ability to live and change and breathe by fixing a single iteration as the ‘authoritative’ version”. Perhaps, nothing captures the triumphantly seductive and absorbing force of the authentic live performance than Robert Ashley’s description of Alvin Lucier’s 1969 piece, “Vespers” as referenced by Grubbs. Ashley wrote of “Vespers”: “No number of microphones and loudspeakers can reproduce the relationship between the sounds and the space in which the sounds create the musical experience.” This reminds one of Mozart’s delicate refrain that “The music is not in the notes, but in the silence between.”

This dying art form was once the force that rocked the bowels of mother Africa, from the Sahara to the Mediterranean. From Fela and Makeba to N’Dour, Salif Keita, Amr Diab, Sangare, Mapfumo, Kidjo, Mtukudzi and Ladysmith Black Mambazo, the glory days of message-laden total music may, but for the flickers embodied by the likes of the eternal Kidjo and the heirs to the Fela dynasty, be well and truly over.

But there appears to be a rebirth glistening in the hallways of MUSON Diploma School, a core component of the MUSON School of Music. The MTN MUSON Music Scholars Program, conceived in 2006, a partnership between MTN Foundation and the Musical Society of Nigeria (MUSON) School of Music, powers the diploma school. The partnership involves a 2-year Diploma in Music at the MUSON Diploma School. All the students admitted to the Diploma course receive MTNF Scholarships comprising annual scholarships worth N250,000 to cover tuition, books and transportation over a 2-year period. The graduating students are awarded an internationally recognized Diploma in Music. The scholarship is an open opportunity one. It allows applications from all musically talented youth through an open and fair process.

The school is home to the award-winning MUSON Diploma Choir directed by Sir Emeka Nwokedi, and the MUSON School Orchestra & Concert Bands. It has been able to produce outstanding Jazz ensembles such as the all-female GIRLZ RULE Band, the 5YZ MEN and The Theosolites.

At MUSON, MTN Scholars take advanced training in music with majors in voice or any of the instrument forms of: Piano, Organ, Violin, Viola, Cello, Double Bass, Flute, Clarinet, Saxophone, Trumpet, Trombone, Percussion, and Classical Guitar. “Students are also required to take 2 terms of an instrument minor other than their major instrumental family. All voice students must pass grade 2 piano, instrumentalists must pass vocal techniques and all students must belong to the choir. Orchestra is required for all string majors. All wind and percussion majors must belong to band. Others who may not be majors are welcome to audition for the orchestra band”, the school says. They also take part in high-level musical productions which provide the perfect opportunity to exhibit their talents and skills. At the end of their programme, the music scholars have the opportunity to showcase the result of their advanced training through performances at the annual Donors Appreciation Concert. This speaks to the neat integration of sound and rhythm, of theatre and messaging; the total music.

MUSON has been at the heart of developing and preserving the purest form of music in Nigeria, and helping to export same to the rest of Africa and the world. Created in 1989 by a group of friends, namely Mr. Louis Mbanefo (SAN), Mr. Akintola Williams (late), Chief Ayo Rosiji (late), Mrs. Francesca Emanuel (late) and Chief Rasheed Gbadamosi (late), the school was designed to promote, as Mr. Mbanefo, who is Chairman of the school, aptly captures, “the performance, understanding and enjoyment of serious music”. The dream, he notes, has continued to be realized, producing internationally reputed graduates and changing the dynamics of music in Nigeria and Africa. “The school has produced over 400 Diploma graduates, many of whom have continued their musical education in Europe, South Africa and America and attained international recognition. Most of our alumni have made and are making very impressive contributions to the musical life in Nigeria and indeed, the world.  They have raised considerably the standard of singing and musical performance in churches, in schools and at social events.  Indeed, many churches and musical societies throughout Nigeria are borrowing from the templates established by MUSON”, he proudly reveals.

As the proud owner of Nigeria’s “only professional Symphony Orchestra” and a choir of international renown, the school boasts a rich platform for empowering young Nigerian artistes and instrumentalists, especially in the dying art of classical and orchestral music performance.

Accredited by the Federal Government to award Diplomas in Music since 2002, the MUSON Diploma School grants all MTNF MUSON graduates diplomas which are equal to those awarded by the Associated Board of the Royal Schools of Music in the United Kingdom.

If the MUSON Diploma School is to continue to plot the course for Nigeria’s music salvation and become the sure hope of total music’s triumph for all of Africa, then it must display resilience, which its parent body— The Musical Society of Nigeria— chose as its Festival of Arts theme during the celebration of its 40th anniversary earlier this year. It must be resilient in the face of the onslaught of crass commercialism. It must be defiantly resilient if it must realize its goal of producing “well-rounded, thoroughly educated musicians…comparable to those found in a Conservatoire”.

And in its resilience, it must remember that lodged in the soul of this art, in its purest form, are the currents of humanity.

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Lagos History Comes on Screen as Jide Kosoko Shoots Esugbayi Eleko

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2 weeks ago

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January 1, 2025

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In a groundbreaking development for Nigerian cinema, renowned actor and producer, Prince Jide Kosoko is set to bring the compelling story of Lagos’ rich history to life with the production of Esugbayi Eleko. This film promises to be a cinematic exploration of the pivotal events that shaped colonial Lagos, blending drama, history, and cultural pride in a way never seen before.

The film focuses on the life and times of Oba Esugbayi Eleko, Herbert Macaulay and Alimotu Pelewura, some of Lagos’ most iconic figures in colonial Lagos and the absolute support and loyalty of the Idejos to the cause spareheaded by Oba Eleko.

Set in the early 19th century, Esugbayi Eleko delves into the challenges of Oba Esugbayi’s reign during the colonial era, his resistance, alongside Macaulay and Pelewura against British imperialism, and the cultural resilience of the people of Lagos.

Audiences will be transported to a Lagos colony grappling with the intersection of tradition and modernity, as well as the political struggles that defined an era. The movie captures not just the story of a man but the heart and soul of a people fighting for their identity.

What makes this project even more significant is that it is spearheaded by Prince Jide Kosoko, himself a Lagosian and a descendant of royalty. As a Prince of Lagos, Kosoko’s personal connection to the city’s history adds an unparalleled depth and authenticity to the storytelling.

“I have always dreamed of bringing the story of Lagos to the screen in a way that does justice to its complexity and grandeur,” Kosoko said during a press conference. “Oba Esugbayi Eleko was not just a king; he was a symbol of resistance, wisdom, and cultural preservation, these he did with his alliance with Macaulay, a prominent Lagosian and nationalist and Pelewura, one of the most enigmatic market women leaders in history. This story deserves to be told, and it’s a privilege to bring it to life as someone who shares in this heritage.”

Esugbayi Eleko will be one of the first major films to authentically portray part of the history of Lagos and the significant events of the colonial era. Unlike most historical movies that rely on generalized narratives, this production is rooted in meticulous research and deep cultural insights, offering a vivid retelling of key moments that shaped the city’s identity.

Kosoko’s production team has announced that the film will feature some of the best technical hands in the industry. Renowned cinematographers, award-winning set designers, and a host of top-notch costume designers will collaborate to recreate the colonial Lagos of the early 19th century.

“We are committed to authenticity,” Kosoko emphasized. “From the fabrics and architecture to the language and cultural practices, every detail will be carefully curated to ensure the audience is fully immersed in the world of Esugbayi Eleko.”

In addition, the production will employ cutting-edge filmmaking technology, including advanced CGI and motion capture, to seamlessly recreate historical settings and grandiose moments. Lagos of old will be brought to life in breathtaking detail, ensuring that audiences can fully experience the grandeur and challenges of the era.

The film will feature a cast of highly professional role interpreters, many of whom are seasoned veterans of the Nigerian film industry. While specific casting details are still under wraps, industry insiders suggest that the production will include some of the most respected actors, alongside a few emerging stars.

Kosoko also revealed plans to take Esugbayi Eleko beyond Nigerian borders. The film, according to him, will be good enough to participate in major international film festivals and distributed globally, ensuring that Lagos’ story reaches a worldwide audience.

“This is more than just a film; it is a legacy project,” Kosoko concluded. “Lagos is a city of resilience, beauty, and culture, and Esugbayi Eleko is our chance to showcase that to the world. We owe it to ourselves, our ancestors, and future generations to tell this story.”

As anticipation builds for Esugbayi Eleko, it is clear that this production is poised to be a defining moment in Nigerian cinema, a testament to the power of storytelling, and a celebration of Lagos’ enduring legacy.

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5th Bodex Social Media Hangout: Exploring the power influence and impact of digital platforms

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1 month ago

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December 13, 2024

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The 5th edition of the Bodex Social Media Hangout (BSMH) unfolded in grand style, spotlighting the transformative power of social media in shaping narratives, fostering collaboration, and addressing societal challenges. With the theme “Social Media: The Influence, Power, and Impact,” the event attracted dignitaries, influencers, and stakeholders from across various sectors.

 

Panellist discussing at the 5th Edition of the Bodex Social media hangout

The event was moderated by the visionary Bodex Florence Hungbo, who guided the discussions with her signature poise and depth. Representing Governor Babajide Sanwo-Olu, Dr. OreOluwa Finnih, S.A. on SDG who delivered a keynote address on behalf of the governor, who was on an official trip.

The presence of Dr. OreOluwa Finnih highlighted the Lagos State Government’s commitment to leveraging social media as a tool for growth and societal well-being.

The Bodex Social Media Hangout is a distinguished media talk-shop fostering collaboration among social media users, professionals, and stakeholders. Focused on promoting responsible digital citizenship, BSMH aligns with the United Nations Sustainable Development Goals (SDG 3) to enhance the well-being of users and encourage cultural and societal advancements through social media.

The event emphasized the urgent need for Nigeria to address challenges such as fake news, cyberbullying, and online harassment.

A recent survey by The Guardian Nigeria revealed that 86% of Nigerians have encountered fake news, reflecting the pervasive influence of misinformation on social stability. Additionally, issues like mental health threats, cybercrime, and privacy concerns were discussed as critical challenges requiring immediate attention.

Through its sessions, the event showcased how social media has become a powerful tool for fostering awareness, driving economic growth, and promoting cultural exchange. Speakers and panelists also examined the darker side of digital platforms, including the rise of cyberbullying, mental health issues, and the spread of divisive content.

The event featured an impressive lineup of speakers and panelists who provided unique perspectives on the influence, power, and impact of social media:
Dotun Babatunde – The Impact of AI on Social Media

Dotun Babatunde explored the transformative role of Artificial Intelligence in the social media landscape, emphasizing its impact on the “attention economy.” He remarked, “We live in an attention economy, where human attention is a scarce commodity.” Babatunde explained how AI-driven algorithms prioritize engagement, often amplifying sensational content, but also creating opportunities for personalized and meaningful interactions. He encouraged users and creators to approach AI with a balanced perspective, recognizing both its potential and pitfalls.

A/Prof Tayo Popoola Ph.D. – Social Media: The Influence, Power, and Impact

Associate Professor Tayo Popoola from the Department of Mass Communication, University of Lagos, provided a thought-provoking analysis of social media’s role in society. He stated, “Social media is a double-edged sword: it empowers the voiceless but also creates spaces for misinformation and toxicity. The challenge lies in managing its influence responsibly.” Prof. Popoola underscored the importance of digital literacy in enabling users to harness the benefits of social media while mitigating its negative impacts.

Akin Olaniyan – Navigating the Social Media Age: Clout, Influence, and the Ethics of the Attention Economy

Akin Olaniyan delivered a compelling critique of clout-chasing in the social media era. He commented, “Give any moron a smartphone, and anything and everything becomes content. To such a fellow, clout-chasing is an end in itself, and the smartphone just makes it super-easy.” Reflecting on the quality of content creation, he added, “I am tempted to believe that their choice of subjects reflects their intellect, with the more empty-headed being the most daring.” Olaniyan called for ethical standards in digital content creation and urged society to value substance over virality.

ACP Olumuyiwa Adejobi – The Digital Detective: Solving Crimes in the Social Media Age

The Force Public Relations Officer, ACP Olumuyiwa Adejobi, showcased how social media has revolutionized law enforcement. He stated, “Social media is not just a platform for entertainment; it’s a valuable tool for law enforcement. By leveraging the power in the mass number of social media active users, we can solve more crimes and make our communities safer.” Adejobi shared examples of cases solved through digital platforms and emphasized the need for digital-savvy officers to maximize this potential.

In addition to the keynote speakers, the panelists brought fresh insights and diverse expertise to the event. Notable contributors included:
Olufemi Oguntamu, CEO of Penzaarville Africa.
Tomiwa Talabi, Founder/CEO of Lagos Life Influencer.
Dayo Oketola, Author, PR Consultant, and Former Editor at The Punch.
Iyabo Ojo, Actress, Filmmaker, and Influencer.

Hosted by celebrated media personality Frank Edoho, the event featured workshops, live sessions, and networking opportunities, creating an interactive atmosphere for attendees. Discussions covered a range of topics, from personal branding and content creation to the role of digital platforms in fostering community and enhancing security.

The panelists emphasized the power of social media in amplifying voices, holding leaders accountable, and fostering a sense of global connection. However, they also called attention to the darker aspects of the digital world, advocating for measures to combat negativity and promote a safer online environment.

Dr. OreOluwa Finnih reaffirmed the Lagos State Government’s vision of creating a digital ecosystem that promotes economic growth, cultural exchange, and societal well-being. The event’s mission remains clear: to foster collaboration, combat negativity, and shape Nigeria’s digital landscape for the better.

The Bodex Social Media Hangout remains a leading force in shaping Nigeria’s digital landscape.

In the words of Bodex Florence Hungbo: “Social media is the new oil well, Let us go fetch it.”

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Exclusive: Why Funke Akindele Left Femi Adebayo’s Seven Door Movie Premiere in Anger

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1 month ago

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December 12, 2024

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Funke Akindele, a prominent actor and producer celebrated for her recent film release, “Everybody Loves Jenifa,” was once again the center of attention during the premiere of her former lover, collaborator, and fellow actor Femi Adebayo’s much-anticipated movie, “Seven Doors.” This event took place at the Imax Cinema in Lekki Phase 1 on December 11, 2024. Many guests, including cast and crew members, gathered to get a glimpse of the new film, which is slated for release on Netflix tomorrow.
Eyewitness accounts reveal to CITYSPY that; Funke Akindele arrived at the venue accompanied by a group of about five individuals, consisting mainly of her assistants. However, Funke was the only member of her entourage to possess an access tag, as mandated by the event organizers, who had instructed security personnel to prioritize those with tags for crowd control purposes. While Funke and one other individual were allowed entry, the remaining three members of her party were denied access due to the security team not recognizing their association with her.
Instead of engaging with the security staff to clarify the situation—similar to how veteran actor Prince Jide Kosoko managed to gain entry for himself and his daughters, who also lacked tags—Funke reportedly became agitated. She expressed her frustration and abruptly left the event before the premiere started, making her way toward her car. Witnesses noted that many attendees expected her to handle the situation with more composure; after all, the security personnel were simply performing their duties.
As the incident unfolded, several senior actors present at the premiere attempted to intervene, calling Funke in hopes of calming her down and facilitating a resolution. However, she dismissed their concerns, got into her vehicle, and instructed her driver to leave the premises. This display of impatience and disregard for the assistance offered by her peers left a sour taste in the mouths of many attendees, who questioned why Funke Akindele, known to have a cordial relationship with Femi Adebayo, would react in such a manner—especially considering that Femi had supported her at her own movie premiere just days prior.
However, several eyewitnesses countered his perspective, explaining that it was Funke who had escalated a minor issue into something significant, when all that was required was a bit of patience and understanding to resolve the misunderstanding.
The reactions from veteran colleagues within the industry were overwhelmingly negative, as many felt that Funke’s behavior was not only insulting but also unbecoming of someone of her stature. They expressed their disappointment, noting how they had tried to reason with her as she departed the event without acknowledgment. Such responses have sparked discussions among industry peers about the importance of humility and professionalism, especially in public settings.

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